The S.978 bill

On May 12, 2011, senators KLOBUCHAR, CORNYN, and COONS introduced the S.978 bill to amend the criminal penalty provision for criminal infringement of a copyright such as:

‘‘(2) shall be imprisoned not more than 5 years, fined in the amount set forth in this title, or both, if—
‘‘(A) the offense consists of 10 or more public performances by electronic means, during any 180-day period, of 1 or more copyrighted works; and
‘‘(B)(i) the total retail value of the performances, or the total economic value of such public performances to the infringer or to the copyright owner, would exceed $2,500; or
‘‘(ii) the total fair market value of licenses to offer performances of those works would exceed $5,000;’’

which means that this type of acts are clearly a felony. In the United States, felony is for serious crimes whereas misdemeanor is for lesser crimes. Felony risks more than one year of jail. (It is similar to the French distinction between crime and délit). It provides also some minimal thresholds…

The second set of changes is the systematic addition of public performance to the litigious conditions. Currently, streaming illegal content was not a felony because it was often in the group of public performance rather than reproduction or distribution which were already covered by the law.

In other words, using DDL sites, such as RapidShare or MegaUpload, to illegally stream copyrighted content may become a felony.

The obvious targets are the streaming sites. Nevertheless, the modification may also apply to people who post illegal content on YouTube or to people who would put a link to an illegal YouTube content on their web site/page. Terry HART makes an interesting, well-documented analysis on this “side channel” consequence on copyhype site.

The bill is currently under the scrutiny of the Committee on the Judiciary.

iTunes Match: the perfect answer to music piracy?

Yesterday, Steve Jobs announced many new things (iOS5, Mac OS Lion, iCloud…). Among them, there is one that interested me: iTunes Match. Here is the description you find on Apple’s site:

If you want all the benefits of iTunes in the Cloud for music you haven’t purchased from iTunes, iTunes Match is the perfect solution. It lets you store your entire collection, including music you’ve ripped from CDs or purchased somewhere other than iTunes. For just $24.99 a year.

Here’s how it works: iTunes determines which songs in your collection are available in the iTunes Store. Any music with a match is automatically added to your iCloud library for you to listen to anytime, on any device. Since there are more than 18 million songs in the iTunes Store, most of your music is probably already in iCloud. All you have to upload is what iTunes can’t match. Which is much faster than starting from scratch. And all the music iTunes matches plays back at 256-Kbps iTunes Plus quality — even if your original copy was of lower quality.

Thus, Apple most probably uses an audio fingerprinting technology that identifies a song, and then Apple proposes in iCloud the same song with top quality. Although the site describes only songs that “you’ve ripped from CDs or purchased somewhere other than iTunes”, in fact it will also work for illegally downloaded songs! In other words, for 25$ per year, you switch to the legal side (at least if I understood well that the service does not oblige you to purchase the songs).

There is no free lunch (or near free lunch). Where are the limitations?

  • There is an upper limit on the number of songs.

    Limit 25,000 songs. iTunes purchases do not count against limit.

    This is probably not too constraining. 🙂

  • The upgraded songs are accessible as long as you subscribe to the service; Would you cancel it, then you will loose all songs that were not purchased through iTunes.
  • It is not clear to me, if the scanning is done only once when you subscribe to the service, or continuously. If it is the first case, then you will have to purchase new songs through iTunes to enlarge your collection in addition to the subscription. If it is the second case, then there is an obvious method to enlarge your collection with only the price of the subscription. You “just” have to download the illegal version of a song that iTunes Match would then replace by a legal one.

Whatever the answer for the scanning frequency, it is an interesting answer against piracy. Furthermore, it is a marvelous way to lock-in the customers. Once you start to use such a convenient service, you cannot switch back to a less convenient one. In other words, you’re locked in (see Dan Ariely’s book “Predictably Irrational”).

If someone has the answer to my question, please tell it. It makes a serious difference in the cost analysis for customers.

TMG’s snaffu

The French company Trident MediaGuard (TMG) specialized in detecting downloads of illegal content has made the headlines. TMG is the company that scouts the net for the French HADOPI. HADOPI is the organism in charge of the graduated response.

In a nutshell, a French expert by the code name of Bluetouff discovered one of TMG’s server with public access. On the server, he found many valuable data such as a password in the clear ( :( ), list of hashes of content to detect, list of IP addresses of detected clients, and executable! He disclosed his discovery here. After that the community analyzed content of the server, and spread it. You may find a good description of the full findings here by cult.of.the.dead.HADOPI (homage to cdc). Among the disclosed data is the a list of IP addresses owned by TMG. No doubt that they will be blacklisted by the major tracker sites.

TMG’s official answer is that this server was a test server and thus having no critical information. Even if this is true, there were some hiccups that a test server should not have, such as a public access or personal information such collected IP addresses.

Lesson: when you are on the side of Law enforcement on the net, you’d better use the best security practice. It is about your credibility.

Thanks to Patrice and Olivier for the good pointers.

Glider versus WoW

Many years ago, company MDY issued the Glider Bot for World of Warcraft (WoW). The Glider Bot allowed to automatically do mandatory routine tasks in the (which are not thrilling but simulate “real” life). Using the bot allowed you to accelerate your progression by earning experience without in fact being in front of your screen. An alternative is gold farming, i.e., you pay somebody to take care of your character while you’re not playing, thus also gaining experience.

As you may guess, Blizzard, the editor of WoW, does not like the bots. It has even installed a tool, called warden, that attempts to detect such bots. Glider passes under the radar of the warden.

Thus, Blizzard sued MDY for copyright infringement because it violated the EULA (End user License Agreement). In February, the Ninth Court of appeals ruled that MDY did not infringe copyright (under some complex difference between covenant and condition, for more legal details see the blog “Lawyers in a Gamer’s World”).

But the court ruled that indeed MDY infringed DMCA’s circumvention of technical prevention measure (the other TPM) although it did not bypass it!

As usual, copyright and DMCA issues are awfully complex.

ICE strange logic

One of the roles of the US Immigration and Custom Enforcement (ICE) is to seize the Internet domains that violate the laws. ICE recently made the headlines with a mistake that seized 84,000 of sites for child pornography whereas these sites were in no way concerned by this awful topic. OK, this type of action is out of the scope of this blog.

Recently, I revisited a site called torrent-finder. Torrent-finder is a site that aggregates the research of torrents among many torrent sites. When reaching torrent-finder.com, I got this screen.

OK. The law won. But funnily, guess what happens when visiting torrent-finder.info? This domain has not been seized whereas it is the same tool. Sometimes the decisions are not logical.

Google’s anti-piracy new step

Without any official announcement, Google has made a new movement towards fighting content piracy. The auto complete function, i.e. the feature that proposes guessed choices while you type your query, does not anymore propose some proposals that may be related to piracy. For instance, when typing “Black Swan T”, it does not anymore propose Black Swan Torrent. Nevertheless, the filtering is not consistent. “Black Swan S” proposes “Black Swan Streaming” as seventh choice. When I type “pi”, I’m still proposed as second choice “Pirate bay”! TorrentFreak has analysed more in details the strategy of filtering. This new filtering does only impact the auto-completion, and not the query, i.e. “Black Swan torrent” gives links to torrents.

Obviously, this is one additional goodwill towards content owners. This is part of a larger strategy (see Google acquires Widevine)

Will it have any impact for users? No! It is just theater security as good will for studios.

Piracy is the Future of Television

This is the provocative title of a study conducted by Abigail De Kosnik from the Convergence Culture Consortium. The author compares the advantages for the consumers between legal offers and the pirate “offer”.

The conclusion is that pirate offer is more attractive than the legal ones, and thus not only because it is free. For instance, the legal offer is divided up among many sites. No one merchant does offer the “complete” catalog of video content, whereas sites such as The Pirate Bay do. Pirate content has no limitation (i.e. DRM) and offer codecs that are universally supported. This is not the case for legal offers. And the list is long:

Single search
Simple indexing
Uniform software and UI
File portability
Freedom from Preempting in the US
Commercial-free

The conclusions are that legal services should take some good ideas from the pirate offer, such as standardize the way to get access to or tos earch content, go immediately to global audience, offer a premium service for personal archives, eliminate the TV set, and charge according to volume usage.

Of course, the study is biased. The study clearly forgets that the pirate offer does not have to comply with copyright laws, commercial agreements, and has not to fund creation of content. It does not take into account economics. Nevertheless, some recommendations are interesting (but not necessarily easy to deploy).