Is DRM bad for the Earth?

:Happy:
In my life, I heard many arguments against DRM. I must confess that this one is the most surprising one. It seems that some professors of US campuses promote the use of eBooks as alternative to traditional paper book or photocopies. One of the arguments is that it is more environmentally sound. To that, we can only applaude.
Unfortunately, there is no universally adopted format for eBooks. Furthermore, they are protected with DRM that are not interoperable. Thus, ebooks are an ecologic but less convenient alternative to paper book.

Conclusion of the paper: DRM is not environmental sound. :Sad:

My personal conclusions are that we urgently need interoperability of DRM. It is the unique feature that will make DRM acceptable to users. Furthermore, for ebooks, DRM must support the possibility of free excerpting. This mandatory for any serious scholastic work.

RIAA forecasts the return of DRM

At last conference Digital Hollywood, David HUGHES, head of RIAA’s technology division, forecast that DRM will return to protect music. His rationales are simple. He listed 22 ways (or should we say business models) to sell music. Twenty methods require some way to enforce some limitations in consumption, i.e. DRM.

In fact, HUGHES highlighted one characteristics of DRM that is often forgotten. DRM facilitates versioning, i.e., different types of commercialization of the same song. Currently, DRM free songs are sold either as a song, or as a full album. Other ways , for instance as part of a subscription, or pay per listen, may sell this same song at a lower price (but with less freedom of consumption). But, these methods require to limit the consumption to the defined limitations (for instance only once in case of pay per listen). Here comes back DRM.

HUGHES highlighted that DRM should become transparent for consumers. Then, they would not care any more.

Currently, DRM free is the trend in music industry. Four majors sell some songs DRM free. Nevertheless, if they will find new ways to sell songs, HUGHES may be right.

MSN music will not deliver new licenses

On November 2006, MSN music closed its service. The service was not successful at competing with Apple’s iTunes. Recently, Rob BENNET, Microsoft, announced that they will not deliver anymore keys after 31 August 2008.
Why would you need new keys although MSN music does not sell anymore new songs? MSN music sold songs to be consumed on a given computer. Thus, the license containing the decryption key is linked to the targeted computer. The linking uses unique characteristics of the computer, such as configuration, or hard disk identifier. These characteristics are sometimes called computer fingerprinting. Therefore, there are two legitimate conditions to ask for new key (or more precisely new license) for an already purchased song:

  • The configuration of the computer evolved, for instance adding a new piece of hardware, or maintenance
  • The consumer replaces the old computer and transfers her songs to a new one.

In other words, after August 2008, consumers will not anymore be able to listen to their legally purchased song if they change computer. Rob BENNET announced that Microsoft did not succeed to negotiate DRM free songs with studios. It is surprising that the merchant of the songs is Microsoft, and the supplier of the DRM technology is Microsoft. And Microsoft did not find a solution? Perhaps, it is a strategy of Microsoft to get DRM free content. An interesting question: is MSN music liable? Is a class action possible by fooled consumers?

Unfortunately, this story gives new strong arguments to the DRM opponents. The problem is not too much about the DRM. The problem is that the song is linked to a computer rather than to a “larger” entity. Would the song be linked to the customer rather than to her computer, this problem would be solved. Would Microsoft DRM be interoperable with another DRM, this problem would be solved.

An example of solution is the domain. A domain is the set of devices belonging to a person, or a family. Would the song be attached to a domain, it would not be managed by a merchant. Currently, two systems support domain based DRM: DVB-CPCM and Coral. Unfortunately, they are not yet implemented in consumer devices. This story may be a booster for these solutions.

The crusade: DRM sucks

There is a terrible crusade against DRM. Many bloggers try to illustrate that “DRM sucks”. As for all crusades, arguments are sometimes true, and sometimes wrong.

A famous blogger claimed that he had a perfect example of why DRM sucks. Following the death of HD DVD, it seems that the newest version of Cyberlink’s PowerDVD, one of the most used DVD software player, does not anymore support HD DVD. That was fast. According to the blogger that was the fault of DRM.

Unfortunately, this is the worst example. HD DVD and BluRay share the same basic DRM: AACS. Of course BluRay has in addition BD+. Nevertheless, the basic DRM is identical. The lack of interoperability is due to intrinsically different formats at every level (physical, organization, coding) except for DRM.

I suggest a better historical example of sucking DRM: VHS and Betamax  :Wink:

DVD Jon launches doubleTwist

doubleTwistJon Lech JOHANSEN, together with Monique FARANTOS launched doubleTwist, a controversial software and service. Jon is better known as DVD Jon. In 1999, he wrote DeCSS, the software decrypting protected DVDs. DeCSS spread over the Internet despite the efforts of studios to stop it. The source code was even available on printed T-shirts. In 2006, he authored software defeating Apple’s DRM FairPlay. DoubleTwist seems to be a sequel of this early hack.

DoubleTwist allows sharing your contents on all your devices and sharing your contents with your friends on social networks such as FaceBook. Currently, doubleTwist supports a limited number of devices through iTunes synchronization: Nokia phones, Sony Walkmans, Sony PSP and Windows Mobile 6.0 platforms. Nevertheless, traditional USB download is valid. DoubleTwist is only available for Windows. The Mac version is under way.

Does doubleTwist infringe copyright laws? According to Electronic Frontier Foundation (EFF), it does not. To by pass FairPlay, doubleTwist uses the analog hole, i.e. it records content while played by iTunes. Thus, EFF claims that it does not circumvent any protection scheme and thus falls out of the scope of DMCA. Will this argument hold in front of a court?

Nevertheless, doubleTwist limited the duration of the shared video to ten minutes and the duration of shared audio to twenty minutes per file. This policy reminds the limitations of User Generated Content sites.

The launch of doubleTwist on 18th February raised a flurry of news. The personality of DVD Jon is probably one explication of such media interest. Since then, no news. Surprisingly, there is no known public reaction of Apple. Would a negative reaction be coherent with Steve Jobs advocating DRM-free content?